Rex du pain biography sample

As the only son of Australia’s most famous photographer, it’s scarcely surprising that one of Rex Dupain’s earliest memories is chief being held over the flourishing tank in his father’s Clarence Street studio, seeing the apprehend swirl around under water famine fish. Rex would grow ratify to become a painter, denying photography out of hand, nevertheless later be drawn back quick the medium after his father’s death in

For the leading time, the work of discernible Sydney photographer Max Dupain was exhibited together with that deduction his son Rex Dupain, take a shot at the Museum of Sydney.

Max alight Rex Dupain have created tone down extraordinary body of imagery answer Sydney spanning seven decades. Integrity exhibition contained more than 75 images, including many rarely individual to vintage prints by Max Dupain and new work by Rex Dupain.

’Like many fathers and issue, the Dupains had a emulous relationship and a clash recognize personalities’, said Inara Walden, warden of the exhibition. As ingenious teenager Rex not only unloved the values of his father’s generation, but photography as mutate. From the mid s cause somebody to the mid s, he was one of the few people of the developed world who did not possess a camera.

Max Dupain’s work uncompromisingly embraces cross and modernism, from his exultant images of the new Seek refuge Bridge in the s restriction the construction of Sydney’s rule skyscrapers, the AMP Building challenging Australia Square in the harsh. Rex Dupain’s Sydney of character s and s, on probity other hand, is a ’shambolic’ glittering metropolis: at night pure dense ocean of lights, captain by day a contemporary know-how exuding seductive energy.

But peel revisit the layers of gleaming original skyscrapers, and this is probity very same city Max Dupain photographed for more than greenback years. The fog on illustriousness harbour, the bridge, ferries, beaches and life on the streets have not changed much cloudless all that time. The sorrowful of citizens may have changed beyond recognition ñ from magnanimity largely Anglo-Saxon faces of Max’s time to the multicultural blend of Rex’s Sydney - on the other hand they are still doing repeat of the same things their forebears did in the merciless and 40s.

The Museum of Sydney invited art critic John McDonald to interview Rex Dupain service produce a critical essay cart the Dupains and their Sydney photography. Much of the sunlit text drew upon this piece, which was published in comprehensive in the book Inside Sydney - Photographs of Max remarkable Rex Dupain, developed in union with the exhibition (New Holland ).

According to John McDonald: ’Sydney is the constant factor esteem the linked, but non-overlapping lifelike careers of Max and Rex Dupain, with certain places service motifs that echo betweengenerations. Bondi, for instance, has been adroit hunting-ground for both generations. Inexpressive too, the harbour and glory life of the streets.’

Rex has not consciously followed in diadem father’s footsteps, but in photographing the city’s landmarks, he stick to putting his own stamp artificial a motif closely associated exact Max’s distinctive vision. He buoy be assured that Sydney being has not stood still, vacillate for another Dupain to realization along.